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The brand new Photoshop CS6 interface design and style is the initial thing to catch your eye. It utilizes dark tones to produce your images stand out more, and this provides it with a lot more aesthetic consistency with Lightroom and, for example, Photoshop Elements.
The revolutionary features include much more complex cropping alternatives, content-aware Move and also Patch tools, a very interesting Blur Gallery, 'adaptive' wideangle lens adjustments, skintone-aware selections, enhanced auto adjustments and, surprisingly, some useful video editing tools.
When you crop your images now you can work with a array of overlays, for example the Golden Ratio, Rule ofF Thirds or a simple grid that will help you determine the composition. You save crop presets including image size and resolution as well as, most signficantly, crops are now non-destructive. You can revisit later, in other words, and re-do them if you change your mind.
Along with the Blur Gallery you can put a cinematic or 'film' look to digital images. 'Iris Blur' simulates the shallow depth of field of the wide lens aperture, 'Tilt-Shift Blur' generates a 'miniature' outcome, while 'Field Blur' lets you isolate specific objects versus a blurred background.
However the new video editing instruments are the most impressive addition. Increasingly, there exists a crossover between stills photography as well as video, specifically for photography lovers. Photoshop CS6 can trim and combine video clips, insert transitions and even add titles, and all inside the familiar Photoshop atmosphere.
CS6 likewise has a latest version of Adobe Camera Raw. ACR 7 (yes, it's annoying that this version numbers are out of step) has a brand-new processing engine and improved tone-mapping, bringing about a redesign on the tonal controls and much better results when recuperating shadows and highlights in RAW files. ACR in addition provides a much better range of controls towards the Adjustment Brush, adding localised white balance, noise reduction as well as moire modifications.
The improvements here are identical to those in Lightroom 4, which is not surprising as the exact same thing is built around Adobe Camera Raw 7. It's good in the sense there's consistency relating to the two products, although it also results in an overlap that can make it harder to find out which of the two programs you'll need.
This is just what you'll want to take into account in case your interests are mainly photographic, Lightroom 4's editing tools have become so state-of-the-art that you may not often have to have Photoshop at all. And when you need to do, you could find Elements 10 flawlessly adequate for your layers, montages and other effects that Lightroom are not able to carry out, instead of forking out ten times more for Photoshop CS6. Click here for more details.
The revolutionary features include much more complex cropping alternatives, content-aware Move and also Patch tools, a very interesting Blur Gallery, 'adaptive' wideangle lens adjustments, skintone-aware selections, enhanced auto adjustments and, surprisingly, some useful video editing tools.
When you crop your images now you can work with a array of overlays, for example the Golden Ratio, Rule ofF Thirds or a simple grid that will help you determine the composition. You save crop presets including image size and resolution as well as, most signficantly, crops are now non-destructive. You can revisit later, in other words, and re-do them if you change your mind.
Along with the Blur Gallery you can put a cinematic or 'film' look to digital images. 'Iris Blur' simulates the shallow depth of field of the wide lens aperture, 'Tilt-Shift Blur' generates a 'miniature' outcome, while 'Field Blur' lets you isolate specific objects versus a blurred background.
However the new video editing instruments are the most impressive addition. Increasingly, there exists a crossover between stills photography as well as video, specifically for photography lovers. Photoshop CS6 can trim and combine video clips, insert transitions and even add titles, and all inside the familiar Photoshop atmosphere.
CS6 likewise has a latest version of Adobe Camera Raw. ACR 7 (yes, it's annoying that this version numbers are out of step) has a brand-new processing engine and improved tone-mapping, bringing about a redesign on the tonal controls and much better results when recuperating shadows and highlights in RAW files. ACR in addition provides a much better range of controls towards the Adjustment Brush, adding localised white balance, noise reduction as well as moire modifications.
The improvements here are identical to those in Lightroom 4, which is not surprising as the exact same thing is built around Adobe Camera Raw 7. It's good in the sense there's consistency relating to the two products, although it also results in an overlap that can make it harder to find out which of the two programs you'll need.
This is just what you'll want to take into account in case your interests are mainly photographic, Lightroom 4's editing tools have become so state-of-the-art that you may not often have to have Photoshop at all. And when you need to do, you could find Elements 10 flawlessly adequate for your layers, montages and other effects that Lightroom are not able to carry out, instead of forking out ten times more for Photoshop CS6. Click here for more details.
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